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Starting with texture, you can immediately see the edges are sharpened while the tonality is not altered. There is a level of intensity I like to create, especially with black & white images. I really like adding impact to my images with the presence sliders like texture, clarity and dehaze. Let’s move to the presence sliders to add some punch to this image. This image is almost done with these two adjustments alone, however, I may want to add some more creative effects in the next tips.
Radial filter on1 photo raw 2018 skin#
Using the point curve and the target adjustment tool I can really isolate specific tonal ranges and recover muddy skin tones, for instance. Using Tone Curve lets me achieve this look much better than lifting the blacks slider or lowering contrast in the Basic Panel. My preference is to use the point curves to flatten or matte the blacks and subtly darken the brighter tones in the image. Another simple way to tone is by using the target adjustment tool to click and drag upward to increase or click and drag downward to decrease specific areas of the tonal range. You can work more simply from the sliders or create your own custom curve with points. Control Contrast with Tone CurveĬurves is a heavily utilized tool for most editors and if you have been using the contrast slider for toning, it’s time to convert to Tone Curve. So in this case, shoot in color so you have options later to convert! Let’s move on to Tone Curve to expand our range of tones. If you shot with a black & white effect baked on the Raw image, you can’t do this either. Keep in mind this only works if you have a color image to start with. We might want to save this for dodging and burning later, but you can see how simple and powerful Black & White Mix can be. Keep in mind this will alter orange and red color across the entire image.
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We can also quickly brighten skin tones by clicking and dragging upward. I like to darken the blues in the sky, so starting there I can click and drag down to darken all the blue and aqua colors of the image. Simply click anywhere in the image and drag the cursor down to decrease luminance or darken based on colors represented. In the upper left corner of the Black & White panel I can choose the target tool and begin altering my image. What I love about Lightroom Classic is the ability to use a target adjustment tool to help control this as well. This is why converting to monochrome with Black & White Mix is better for control.Īfter our image is converted we can navigate to the Black & White panel to adjust the color mix. Remember, you just cut all color out of the image so there is nothing for HSL to grab onto. Once you drop Saturation you lose all ability to adjust HSL to dial in the luminance of each color. Another popular method is dropping the Saturation slider to -100, however, this is a bad practice and here’s why. Strike the “v” key in Library or Develop mode and your image is instantly changed to monochrome. This is the simplest tip but crucial for converting your images to black & white. Add in some warm or cool toning to push your black & white images. Tip #5 is push your creativity, create multiple copies, and do not stick with a single look. This is my favorite part of editing to see everything come together. This is one of the most important tips as this will direct your viewer to the couple. Utilizing these sliders can really make your edit standout. Tip #3 is creating punch with the presence tools like texture, clarity and dehaze. Tip #2 is using Tone Curve to dial in contrast. This gives you a lot of flexibility and control for tonal range. I highly recommend converting to monochrome using Lightroom’s Black & White Mix tool. Of course, there are multiple ways to get your Raw images converted, and in this article I have 5 tips for better black & white edits in Lightroom Classic. Many of us look for contrast and texture while shooting for black & white and enhance these elements in post-production. This really helps as we convert to black & white later while editing. When you are photographing a couple, you want to make sure you have a great tonal range. 5 Tips for Better Black & White Editing in Lightroom Classic with Dustin Lucas